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Mike Bloomfield And Al Kooper And Stephen Stills – Super Session
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Label: |
Legacy – CK 63406 |
---|---|
Format: |
CD, Album, Reissue, Remastered
|
Country: |
US |
Released: |
|
Genre: |
Rock, Blues |
Style: |
Blues Rock, Chicago Blues |
Tracklist
1 | Albert’s Shuffle
Written-By – A. Kooper*, M. Bloomfield*
Written-By – A. Kooper*, M. Bloomfield*
|
6:54 | |
2 | Stop | 4:19 | |
3 | Man’s Temptation
Written-By – C. Mayfield*
Written-By – C. Mayfield*
|
3:25 | |
4 | His Holy Modal Majesty
Written-By – A. Kooper*, M. Bloomfield*
Written-By – A. Kooper*, M. Bloomfield*
|
9:13 | |
5 | Really
Written-By – A. Kooper*, M. Bloomfield*
Written-By – A. Kooper*, M. Bloomfield*
|
5:26 | |
6 | It Takes A Lot To Laugh It Takes A Train To Cry
Written-By – B. Dylan*
Written-By – B. Dylan*
|
3:30 | |
7 | Season Of The Witch
Written-By – D. Leitch*
Written-By – D. Leitch*
|
11:08 | |
8 | You Don’t Love Me
Written-By – W. Cobbs*
Written-By – W. Cobbs*
|
4:10 | |
9 | Harvey’s Tune
Written-By – H. Brooks*
Written-By – H. Brooks*
|
2:11 | |
BONUS TRACKS: | |||
10 | Albert’s Shuffle (2002 Remix W/O Horns )
Written-By – A. Kooper*, M. Bloomfield*
Written-By – A. Kooper*, M. Bloomfield*
|
6:59 | |
11 | Season Of The Witch (2002 Remix W/O Horns)
Written-By – D. Leitch*
Written-By – D. Leitch*
|
11:08 | |
12 | Blues For Nothing
Written-By – A. Kooper*
Written-By – A. Kooper*
|
4:15 | |
13 | Fat Grey Cloud (Live)
Written-By – A. Kooper*, M. Bloomfield*
Written-By – A. Kooper*, M. Bloomfield*
|
4:39 |
Companies, etc.
- Manufactured By – Columbia Records
- Phonographic Copyright ℗ – Sony Music Entertainment Inc.
- Copyright © – Sony Music Entertainment Inc.
- Glass Mastered At – Sony Music, Pitman – DIDP-109859
Credits
- Arranged By [Horns] – Joey Scott*
- Bass – Harvey Brooks
- Drums – Eddie Hoh
- Electric Guitar – Mike Bloomfield (tracks: 1 to 5, 10, 12, 13), Stephen Stills (tracks: 6 to 9, 11)
- Electric Piano – Barry Goldberg (tracks: 1, 2)
- Executive-Producer – Bruce Dickinson (2)
- Vocals, Guitar [12-string], Electric Guitar, Piano, Organ, Keyboards [Ondioline], Producer, Arranged By [Horns] – Al Kooper
Notes
Super Session [Remaster]: Includes liner notes by Al Kooper, Michael Thomas. A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time–nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues («Albert’s Shuffle,» «You Don’t Love Me»), to heady jams («His Holy Modal Majesty»), to big-band jazz («Harvey’s Tune»).All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don’t play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some interesting tricks up his sleeve, as in the over-the-top phasing he lavishes on «You Don’t Love Me.» The only real disappointment here is that Stills, a far better singer than Kooper, never opens his mouth.
Yellow Hype Sticker Attached To Some Cases «The Historic 1968 ALL-STAR MUSICAL SUMMIT»
Newly Remastered From The Original Tapes By Al Kooper
Contains 4 Bonus Tracks 2 New Mixes A Studio Outtake and An Unreleased Live Track!
Booklet Features Unpublished Photos From The Recording Session
New Liner Notes By Al Kooper and ****Rolling Stone Hall Of Fame Review By David Fricke
Columbia, Legacy and Best Value Logos
# At Bottom Of Sticker K 63406-S1
Bonus Tracks:
10. Remix from Columbia album tapes for Super Session CS 9701
11. Remix from Columbia album tapes for Super Session CS 9701
12. Outtake from the sessions for the Columbia album Super Session CS 9701, previously only available on the Master Sound CD version of Super Session CK 64611
13. Previously unreleased, recorded 196 at the Fillmore West, An Francisco, CA
Barcode and Other Identifiers
- Barcode: 074646340622
- Matrix / Runout (Variant 1): DIDP-109859 H4 1A 01
- Mastering SID Code (Variant 1): IFPI L424
- Mould SID Code (Variant 1): IFPI 5100
- Matrix / Runout (Variant 2): DIDP-109859 6 A02
- Mastering SID Code (Variant 2): IFPI L323
- Mould SID Code (Variant 2): IFPI 50E7
- Matrix / Runout (Variant 3): DIDP-109859 H4 1A 05
- Mastering SID Code (Variant 3): IFPI L424
- Mould SID Code (Variant 3): IFPI 7259
- Matrix / Runout (Variant 4): DIDP-109859 8 A01
- Mastering SID Code (Variant 4): IFPI L328
- Mould SID Code (Variant 4): IFPI 5079
Other Versions (5 of 153)
Title (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
|
Super Session (LP, Album, Stereo, 360 Sound) | Columbia | CS 9701 | US | 1968 | ||
|
Super Session (LP, Album, Stereo) | CBS, CBS, CBS | 63396, S 63396, CS 9701 | UK | 1968 | ||
|
Super Session (LP, Album, Quadraphonic) | CBS/Sony, CBS/Sony | SOPL 34007, SOPL-34007 | Japan | 1968 | ||
|
Super Session (Reel-To-Reel, Album, Stereo, 7 ½ ips) | Columbia | CQ 1075 | US | 1968 | ||
|
Super Session (LP, Album) | CBS | S 63 396 | Germany | 1968 |
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