Sublime (2) – Second Hand Smoke
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Label: |
Gasoline Alley – GASD-11714, MCA Records – GASD-11714 |
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Format: |
CD, Compilation
|
Country: |
US |
Released: |
|
Genre: |
Rock, Reggae |
Style: |
Acoustic, Dub, Punk, Ska |
Tracklist
1 | Doin’ Time (Uptown Dub)
Effects [Space Echo] – Miguel*
Engineer, Mixed By – Eddie Ashworth
Keyboards – Isaiah Owens
Producer – Miguel*, Paul Leary
Saxophone – Tim Wu
Tracking By – Stuart Sullivan
Written-By – Bradley Nowell*, Dorothy Hayward*, Dubois Hayward*, George Gershwin, Ira Gershwin, Marshall Goodman
Written-By [Summertime] – Hayward/Hayward*, Gershwin/Gershwin*
Effects [Space Echo] – Miguel*
Engineer, Mixed By – Eddie Ashworth
Keyboards – Isaiah Owens
Producer – Miguel*, Paul Leary
Saxophone – Tim Wu
Tracking By – Stuart Sullivan
Written-By – Bradley Nowell*, Dorothy Hayward*, Dubois Hayward*, George Gershwin, Ira Gershwin, Marshall Goodman
Written-By [Summertime] – Hayward/Hayward*, Gershwin/Gershwin*
|
3:47 | |
2 | Get Out! (Remix)
Engineer, Mixed By – Eddie Ashworth, The Field Marshall*, Miguel*
Lead Guitar – Miguel*
Performer [Clean Up Woman] – Betty Wright
Performer [Cremation Services] – The Jerky Boys
Performer [It’s Expected I’m Gone] – The Minutemen*
Producer – The Field Marshall*, Miguel*
Turntables, Programmed By – Field Marshall
Written-By – Bradley Nowell*, Clarence Reid, Eric Wilson, Marshall Goodman, Michael Happoldt*, Willie Clark*
Written-By [It’s Expected I’m Gone] – M. Watt*
Engineer, Mixed By – Eddie Ashworth, The Field Marshall*, Miguel*
Lead Guitar – Miguel*
Performer [Clean Up Woman] – Betty Wright
Performer [Cremation Services] – The Jerky Boys
Performer [It’s Expected I’m Gone] – The Minutemen*
Producer – The Field Marshall*, Miguel*
Turntables, Programmed By – Field Marshall
Written-By – Bradley Nowell*, Clarence Reid, Eric Wilson, Marshall Goodman, Michael Happoldt*, Willie Clark*
Written-By [It’s Expected I’m Gone] – M. Watt*
|
3:40 | |
3 | Romeo
Engineer, Mixed By – Craven Morehead
Percussion – Billy Wilson (2)
Producer – Sublime (2)
Written-By – Bradley Nowell*
Engineer, Mixed By – Craven Morehead
Percussion – Billy Wilson (2)
Producer – Sublime (2)
Written-By – Bradley Nowell*
|
4:31 | |
4 | New Realization
Engineer, Mixed By – Craven Morehead
Producer, Written-By – Sublime (2)
Engineer, Mixed By – Craven Morehead
Producer, Written-By – Sublime (2)
|
2:22 | |
5 | Don’t Push | 3:54 | |
6 | Slow Ride
Engineer, Mixed By – Steve McNeil
Producer, Written-By – Sublime (2)
Engineer, Mixed By – Steve McNeil
Producer, Written-By – Sublime (2)
|
4:23 | |
7 | Chick On My Tip | 3:16 | |
8 | Had A Dat | 3:32 | |
9 | Trenchtown Rock | 1:42 | |
10 | Badfish | 3:06 | |
11 | Drunk Drivin’
Drums – Field Marshall
Engineer, Mixed By – Miguel*
Producer – Miguel*
Written-By – Michael Happoldt*
Drums – Field Marshall
Engineer, Mixed By – Miguel*
Producer – Miguel*
Written-By – Michael Happoldt*
|
0:18 | |
12 | Saw Red
Engineer – Donnell Cameron
Mixed By – Miguel*, Warren Fitzgerald
Producer – Miguel*
Vocals – Gwen Stefani
Written-By – Bradley Nowell*
Written-By [She’s Mine] – Barrington Levy
Engineer – Donnell Cameron
Mixed By – Miguel*, Warren Fitzgerald
Producer – Miguel*
Vocals – Gwen Stefani
Written-By – Bradley Nowell*
Written-By [She’s Mine] – Barrington Levy
|
1:58 | |
13 | Garbage Grove | 2:12 | |
14 | April 29th 1992 (Leary)
Backing Vocals – Miguel*
Engineer – Stuart Sullivan
Mixed By – Paul Leary, Stuart Sullivan
Performer [La Di Da Di, Featuring] – MC Ricky D*
Performer [La Di Da Di] – Dougee Fresh*
Performer [Original Gangster Of Hip-hop] – Just Ice*
Performer [Shook One (Part 1)] – Mobb Deep
Producer – Paul Leary
Turntables – Field Marshall
Written-By – Bradley Nowell*, Marshall Goodman, Michael Happoldt*
Backing Vocals – Miguel*
Engineer – Stuart Sullivan
Mixed By – Paul Leary, Stuart Sullivan
Performer [La Di Da Di, Featuring] – MC Ricky D*
Performer [La Di Da Di] – Dougee Fresh*
Performer [Original Gangster Of Hip-hop] – Just Ice*
Performer [Shook One (Part 1)] – Mobb Deep
Producer – Paul Leary
Turntables – Field Marshall
Written-By – Bradley Nowell*, Marshall Goodman, Michael Happoldt*
|
3:47 | |
15 | Superstar Punani
Engineer – Stuart Sullivan
Mixed By – Paul Leary, Stuart Sullivan
Producer – Paul Leary
Written-By – Sublime (2)
Engineer – Stuart Sullivan
Mixed By – Paul Leary, Stuart Sullivan
Producer – Paul Leary
Written-By – Sublime (2)
|
3:17 | |
16 | Legal Dub
Producer – Miguel*
Written-By – Bradley Nowell*, Bud Gaugh, Eric Wilson, Peter Tosh
Written-By [Legalize It] – P. Tosh*
Producer – Miguel*
Written-By – Bradley Nowell*, Bud Gaugh, Eric Wilson, Peter Tosh
Written-By [Legalize It] – P. Tosh*
|
3:11 | |
17 | What’s Really Goin’ Wrong
Engineer, Mixed By – Eddie Ashworth
Producer – Miguel*
Written-By – Bradley Nowell*, Bud Gaugh, Chicken (10), Eric Wilson
Engineer, Mixed By – Eddie Ashworth
Producer – Miguel*
Written-By – Bradley Nowell*, Bud Gaugh, Chicken (10), Eric Wilson
|
2:35 | |
18 | Doin’ Time (Eerie Splendor Remix)
Engineer, Mixed By – Jez*, Sean Perry
Producer – Jez Colin, Sean Perry
Vocals [Featuring] – Mad Lion
Written-By – Bradley Nowell*, David Riordan, Dorothy Hayward*, Dubois Hayward*, George Gershwin, Ira Gershwin, John C. Phillips*, Jerry Corbetta, Marshall Goodman
Written-By [Summertime] – Hayward/Hayward*, Gershwin/Gershwin*
Engineer, Mixed By – Jez*, Sean Perry
Producer – Jez Colin, Sean Perry
Vocals [Featuring] – Mad Lion
Written-By – Bradley Nowell*, David Riordan, Dorothy Hayward*, Dubois Hayward*, George Gershwin, Ira Gershwin, John C. Phillips*, Jerry Corbetta, Marshall Goodman
Written-By [Summertime] – Hayward/Hayward*, Gershwin/Gershwin*
|
5:16 | |
19 | Thanx Dub
Drums – Field Marshall
Engineer, Mixed By – Miguel*
Producer – Miguel*
Written-By – Bradley Nowell*, Bud Gaugh, Eric Wilson
Drums – Field Marshall
Engineer, Mixed By – Miguel*
Producer – Miguel*
Written-By – Bradley Nowell*, Bud Gaugh, Eric Wilson
|
6:29 |
Companies, etc.
- Record Company – Universal Music
- Distributed By – Universal Music & Video Distribution, Inc.
- Phonographic Copyright ℗ – Gasoline Alley, J.V.
- Copyright © – Gasoline Alley, J.V.
- Glass Mastered At – DADC – DIDX-058469
- Engineered At – The Time Capsule
- Engineered At – Total Access Recording Studios
- Engineered At – Pedernales Studio
- Engineered At – Clandestine Labs
- Engineered At – Mambo Studios
- Engineered At – C.S.U.D.H.
- Engineered At – Westbeach Recorders
- Engineered At – Crystal Sound
- Engineered At – Celestial Soul Studio
- Mixed At – Total Access Recording Studios
- Mixed At – Clandestine Labs
- Mixed At – Mambo Studios
- Mixed At – C.S.U.D.H.
- Mixed At – Formula 1 Studios
- Mixed At – Arlyn Studios
- Mixed At – Crystal Sound
- Mixed At – Celestial Soul Studio
- Mastered At – Sterling Sound
- Published By – WB Music Corp.
- Published By – George Gershwin Music
- Published By – Ira Gershwin Music
- Published By – Dorothy Heyward Music
- Published By – ThunderSpiels Music
- Published By – Longitude Music Co.
- Published By – Danica Music
- Published By – Slick Rick Music
- Published By – Hit & Hold Music
- Published By – BDP Music
- Published By – Zomba Enterprises, Inc.
- Published By – Albert Johnson Music
- Published By – Careers-BMG Music Publishing, Inc.
- Published By – Juvenile Hell Publishing
- Published By – BMG Songs, Inc.
- Published By – Irving Music, Inc.
- Published By – Claridge Music Company Co.
- Published By – MPL Communications Inc.
Credits
- A&R – Jon Phillips
- Art Direction, Design – Opie Gibran Ortiz, Todd Gallopo
- Bass, Synthesizer [Sh-101] – Eric*
- Compiled By – Miguel*
- Drums, Sampler [Td-7] – Bud*
- Illustration – Opie Gibran Ortiz
- Management – Jim Nowell
- Mastered By – Ted Jensen
- Photography By [Cover Photo] – John Dunne (2)
- Vocals, Guitar – Brad*
Notes
℗ © 1997 Gasoline Alley, J.V.
Archived at Time Capsule, Long Beach, CA
Mastered at Sterling Studios, New York, NY.
Track 1 engineered and mixed at Total Access Studios, Redondo Beach, CA – 1997. Tracked at Pedrenales, Briarcliff, TX – 1996. Contains replayed elements from «Summertime» WB Music Corp./George Gershwin Music/Ira Gershwin Music/Dorothy Hayward Music (ASCAP).
Track 2 engineered and mixed at Total Access Studios, Redondo Beach, CA – 1991, 1997. Contains elements from «It’s Expected I’m Gone» Thunder Spiels Music (BMI); «Clean Up Woman» Longitude Music Co. (BMI); «Cremation Services».
Track 3 engineered and mixed at Clandestine Labs, Temecula, CA – 1988.
Track 4 engineered and mixed at Clandestine Labs, Temecula, CA – 1987.
Track 5 engineered and mixed at Mambo Recorders, Long Beach, CA – 1988.
Track 6 engineered and mixed at Mambo Recorders, Long Beach, CA – 1989.
Tracks 7 and 8 engineered and mixed at C.S.U.D.H., Carson, CA – 1989.
Track 9 engineered and mixed at Mambo Recorders, Long Beach, CA – 1991.
Track 10 engineered and mixed at C.S.U.D.H., Carson, CA – 1991.
Track 11 engineered and mixed at Mambo Recorders, Long Beach, CA.
Track 12 engineered at West Beach Recorders, West Hollywood, CA. Mixed at Formula One, La Habra, CA. Contains an interpolation of «She’s Mine».
Track 13 engineered and mixed at 23032 Carreterra Lane, San Juan Capistrano, CA – 1994.
Track 14 engineered at Pedrenales, Briarcliff, TX – 1996. Mixed at Arlyn, Austin, TX. Contains elements from «La Di Da Di» Danica Music (BMI)/Slick Rick Music (ASCAP); «Original Gangster of Hip-Hop» Hit & Hold Music/BDP Music/Zomba Enterprises, Inc. (ASCAP); «Shook One (Part 1)» Albert Johnson Music/Careers-BMG Music Publishing Inc. (BMI)/Juvenille Hell Publishing/BMG Songs, Inc. (ASCAP).
Track 15 engineered at Pedrenales, Briarcliff, TX – 1996. Mixed at Arlyn, Austin, TX.
Track 16 engineered and mixed at Crystal Studios, Hollywood, CA – 1995. Contains replayed elements from «Legalize It» Irving Music, Inc. (BMI).
Track 17 engineered and mixed at Total Access Studios, Redondo Beach, CA – 1995, 1997.
Track 18 engineered and mixed at Celestial Soul Studio, Hollywood, CA. Contains replayed elements from «Summertime» WB Music Corp./George Gershwin Music/Ira Gershwin Music/Dorothy Hayward Music (ASCAP); «Green Eyed Lady» Claridge Music Company Co., A Division of MPL Communications, Inc.
Track 19 engineered and mixed at Mambo Recorders, Long Beach, CA.
Gwen Stefani appears courtesy of Interscope Records
Mad Lion appears courtesy of Nervous Records
Dedicated to Jakob James Nowell
Released in a standard jewel case with clear CD tray and a 12-page booklet with photos, credits and notes by Michael «Miguel» Happoldt
Barcode and Other Identifiers
- Rights Society: ASCAP
- Rights Society: BMI
- Barcode (Text): 0 08811 17142 1
- Barcode (Scanned): 008811171421
- Matrix / Runout (Variant 1): DIDX-058469 2
- Matrix / Runout (Variant 2): DIDX-058469 1 A11
- Matrix / Runout (Variant 4): DIDX-058469 A08
- Matrix / Runout (Variant 5): DIDX-058469 1 A02
- Matrix / Runout (Variant 6): DIDX-058469 1 A13
- Matrix / Runout (Variant 7): DIDX-058469 2 🝊 🝊🝊 🝊🝊🝊🝊🝊🝊🝊🝊 A03 IFPI L322 [barcode]
- Matrix / Runout (Variant 8): DIDX-058469 1 A03 IFPI L322
- Mastering SID Code (Variant 1, 2, 4, 5, 6, 7 & 8): IFPI L322
- Mould SID Code (Variant 1, 4 & 8): IFPI 5008
- Mould SID Code (Variant 5): IFPI 5009
- Mould SID Code (Variant 6, 7): [none]